Monthly Archives: September 2013

Album Review: The Devil Wears Prada ‘8:18’

One of the best bands to hit the scene in recent year are, The Devil Wears Prada. The band is set to release their fifth studio album 8:18. 8:18 is the long-awaited follow-up to 2011’s full length effort by the band, Dead Throne and 2010’s masterful, Zombie EP. This album picks up were those to works left off, and continues to push the boundaries of what this band is capable of doing. The sound is dark and more mature, and we guarantee you’re in for a great ride from track one through thirteen.

8:18 starts off with the slow-moving synth driven intro to the track “Gloom.” However “Gloom” picks up it’s pace at the 50 second mark when the band comes in and provides a bruising intro. “Gloom” almost seems like a mission statement from the band, telling the listener what they have in store for the rest of the album. The drums, guitars, synth, and vocals work well on this track. The next riff that will hit you is the intro to the second track “Rumors” which is a bruising riff, but it slows downs in the verse which is atmospheric, but we hear the first hint of melody in this tracks chorus.

“First Sight” is the third track on the record, and it hits you like a brick wall from the beginning, but then as the track moves on you hear the song grow into this melodic juggernaut in the chorus. The stand out of this track however are the guitars which are tight, but leave enough room in the mix for the track to breathe.

The next track that caught my attention was the album’s title track, 8:18 which has a beautiful clean intro which is interrupted by vocalist Mike Hranica’s primal screams. The next track that really grabbed me was “Care More” which is a real departure for the band which is awesome. They really mixed it up with this one showing what they can do both vocally and with arranging.

Next thing you know theirs a bell chiming and this signals the intro to the track, “Martyrs” which was one of the first tracks that fans got to hear from this record. This track is great and is a real throw back to the Dead Throne sound that I and TDWP fans love. “Black and Blue” starts with an ominous intro that sends the message that mayhem is about to unfold, and it does and this mayhem continues throughout the rest of the record concluding with the thirteenth and final track, “ In Heart.”

Overall I believe that 8:18 is the next step in The Devil Wears Prada’s evolution. This record is excellent. One of the best metal records of the year.

-B. Harlow

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Quick Artist Profile: Flash Riot

Flash Riot is a great band from Chicago, Illinois.They have a great sound that to me mixes all the best parts of bands such as the Foo Fighters and Muse into their own unique. The band recently finished recorded their self-titled EP with producer Marc McClusky who in the past worked with Weezer, Bad Religion, and Social Distortion.

Flash Riot are going to be a big band and the band are looking to make a big name for themselves in 2013. Having all played in well-known bands throughout the midwest, they feel that this time they have made the perfect storm and will no doubt catch the ears of all lovers of rock. This band is so well composed that I couldn’t believe that this was their first records together, as they are tight like musicians who have played together for a long time.

Check this band out. You will not be disappointed.

-B. Harlow

Take a Listen HERE

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Avenged Sevenfold Pull From Their Influences to Create, ‘Hail To The King’

The metal community came together in 2009 to support Avenged Sevenfold after the death of their drummer, James ‘The Rev’ Sullivan. It was a sad time to be a fan of the band, but the band rebounded quite well with the release of their fifth album, Nightmare in 2010, which the band was working on at the time of the Rev’s death. The drums on the album were completely recorded by former Dream Theater drummer, Mike Portnoy. After some touring they announced a new drummer, Arin Ilejay, would be touring with them. In 2013 they made Ilejay a full-time member, and is now featured on the band’s latest album, Hail To The King.

Hail To The King is very different from the band’s previous work. It has a very classic rock vibe with a lot of their influences displayed prominently throughout the record. It is unclear whether or not this was intentional or not, but some of the tracks are clearly shoutouts to the bands that have influences, Avenged Sevenfold. The first track, “Shepherd of Fire”  is a clear example of this as it sounds like a mix of “Raining Blood” and the bells are reminiscent of Metallica’s “For Whom the Bell Tolls.”

Next up is the album’s title track, “Hail to The King.” The intro to this song this sounds like AC/DC’s “Thunder Struck.” But this new track sounds like Maiden throughout the guitars yet has an Avenged Sevenfold feel due to the vocals provided by M. Shadows. who sounds excellent. This track moves at a steady clip, but could have been brought up several BPM. The guitar playing by Synyster Gates and Zacky Vengance is excellent. Lyrically M. Shadows is on par with many other metal vocalists and lyricists.

“Doing Time” is a great track that reminds a great deal of Guns n’ Roses. I don’t hate it. And Honestly I can say I don’t mind it. Rock needs a track like this to clear out all the crappy radio rock that is played these days (i.e. Theory of a Deadman.) “This Means War” is up next and this track also lends its self well to comparison of other classic metal songs. This song particularly makes one think of the classic Metallica tune “Sad But True.” “Requiem” is the fifth track on the album, and is one of my favorites on the record. It has a very old school vibe which is awesome. It reminds me of “Kashmir” by Led Zeppelin in the orchestrated part too.

The next track really slows down, and is entitled, “Crimson Day.”  It’s also one of the best tracks on the record, as it shows that M. Shadows is a great vocalist. And also shows the great melodic guitar playing of Synyster Gates. “Heretic” is the next track on the album, and this one is definitely influenced by another Big 4 band, Megadeth. It sounds without a doubt like “Symphony of Destruction,” write down to the punishing bass line. There is also a part that sounds like Megadeth’s “Hangar 18.” Again I don’t hate it, in fact I quite enjoyed it.

The next track that really caught my ear was the final track, “Acid Rain” which is a beautiful ballad centered around a piano very reminiscent of so many great songs, but the thing is they made it their own and came up with a great song.

Hail To The King, is a great album and will stand side by side with their best work. They have mastered the formula that includes many of their influences and created their own signature brew.

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